Just click on any of the below thumbnails and view full size images.
Andrew was born in 1958 and cites his father Victor, a well-respected sculptor in his own right, as his earliest influence. His other great influence is the French satirist Honoré Daumier. Very much like Daumier, Andrew is a master at distorting his figures but the similitude with the French master seems to stop there.
Andrew’s line up of bits and pieces of humanity is a markedly more tragic one reflecting man’s estranged, alienated, and often absurd existence; a panoply of mostly lone figures going about their business in an automated, dispassionate and disenchanted way.
And then there’s the absurd anatomy – impossibly huge men balanced on matchstick legs, the awkward looking reader who holds a dainty book in his large clumsy hands, the suited businessman riding an unlikely bicycle to nowhere. Although Andrew has always painted his sculptures, his move into proper painting on canvas is a more recent one.
Interestingly the paintings show an overall lighter mood, “my softer, more feminine side” says Andrew . The mood in these canvases does in fact border on the joyful and frivolous and feminine figures are more prominent too with a number of mother and child variations, a theme which appears to be a recurring one with the artist.
Andrew has participated in numerous exhibitions both in Malta and elsewhere but he cites two major shows at the National Museum and The Casino Maltese, both with fellow artist Debbie Caruana Dingli, as his most successful both in terms of the works shown and the manner the works were received.
Andrew spends most of his time in his studio in Saint Publius Street in a quiet area of Naxxar and, though not averse to selective socializing, values his ‘alone time’ – mandatory for any artist’s creative process. “Truth be told I do not go out much, with me my home and studio are very much my castle” says Andrew.